魔鬼任务1997搜索结果

天龙影院

神魔英雄传之血魔劫
台湾国语2000
  「昆仑」现任掌教“道海逍遥”学千秋跟“妖魑魔师”傀修罗,在“燕邬石矶山”的对决,无意间唤醒了沉睡在“燕邬石矶山”下的神魔元神,为避免天下苍生因神魔转生而无辜承受浩劫,学千秋答应“终极须弥山”的长眉尊者以十年为期,跟傀修罗各创一教、分别是「昆仑天教」跟「修罗地教」,十年后于“燕邬石矶山”举行英雄会,进行正邪最终对决,胜的一方能得到“终极须弥山”太极图内、能贯通天地人三界的三卷天书;数年后,傀修罗所创立的「修罗魔教」荼毒武林各教,而正道各派却因门户之见未能统合,最后学千秋在几经艰辛奔波、运筹帷幄之下,终于成立「正道昆仑」,得以跟「修罗魔教」抗衡。  武道上突然出现一名专门狙击魔教教徒的神秘剑客泪断痕,他的背后真正目的是什麽?又是谁人所指示?  学生、酒徒狂醉,武功深不可测的二人,又是为谁而出现武林?  「修罗魔教」旗下三宫「幽楼月宫」、「血道魔宫」、「夜蝠邪宫」为争夺三宫之首,各出奇谋各出手段,最终谁能胜出?  有智者之称的「幽楼月宫」执教“七色彩云”夕阳君、“静心小径”隐士朝阳君、「修罗魔教」军师“鹤顶丹红”冰心映红雪,究竟谁是真正的智者?  朝阳君跟夕阳君,二人之间又有什麽牵连?  已退隐“望远云路”不问世事的三教一家,因何原因又再渡尘世?  十年期限到达,两教在“燕邬石矶山”进行对决,结果将会如何?欲知精彩故事,敬请留意「神魔英雄传」第一部之「血魔劫」。  剧情起源于太古洪荒时代的神魔传说,给神魔布袋戏添加一丝神秘的浪漫色彩。传说曰:由天帝公孙轩辕与血魔蚩尤之战开始,后世如果有人能得到天帝轩辕的白龙神剑或地皇蚩尤的噬血魔剑,将成为神魔宿命中的传人而来延续天地间的正邪之战。  而后,剧情一转,千年之后的一次偶然成为血劫的开端。由于神魔两界先天人物逍遥学者学千秋和妖魑魔师傀修罗在荒山燕邬石山矶的对决而放出沉睡中的神魔精元。须弥山的长眉尊者为了将伤害减至最低而以天书为赌注让两人定下十年后荒山的神魔对决。  傀修罗创建修罗圣教,整合魔道三宫:血道魔宫、幽楼月宫、夜蝠邪宫,欲消灭正道各派,一统武林。学千秋随后组建昆仑正教,和好友酒徒狂醉、刀学生以及正道力量三圣二僧一道主联合,欲整合正道力量以抗魔道,千秋教主的称呼由此而来。

天龙影院

魔鬼的陷阱
其它其它1962
  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

天龙影院

好鬼两个半2鬼王争霸
大陆国语2017
  《好鬼两个半2鬼王争霸》 是由北京鹣鹣鲽鲽文化传播有限公司发行,该片将于2017年7月20日在优酷独家上线。是一部由导演:侯国涛,编剧:郑重,执行制片:杜明,摄影:王继锐。美术:王大伟,刘晓峰,道具:王大伟,刘晓峰,选角导演:陈超,生活制片:刘超,服装:许定凯,场记:江 山永。演 员:王昭、孟智超、王怡苏、冯俊杰、冯碧晴等领衔主演的网络大电影。  电影剧情  在阴阳两界气息交汇之处,有个被成为上冥界的地方,关耳、钱米、白依来为叔叔钱通判住祝贺二百大寿,最近上冥界一直在抓捕僵尸。关耳得到一本古书。对里面一条‘人尸合一’颇感兴趣。上冥王侍卫鬼斧将钱通判带走,还要抓钱米,关耳旧友大白赶来救走钱米。大白受伤,告诉关耳等人:上冥界来了个叫鬼博士的后,就四处抓捕僵尸,炼化为尸丹,想要救他必须参加‘鬼王争霸赛’赢得进入上冥界的名额  关耳一行来到擂台,发现不少外国鬼,也有养鬼师。这里僵尸竟是最低级的鬼怪,钱米愤怒上台,对阵丧尸小丑,在三人配合下战胜丧尸。而钱米此时和关耳走失,被钱米之前相救的兔妖阿泠决定带钱米进入上冥界。关耳寻找钱米,被鬼斧抓进地牢,在地牢中见到了大白和钱通判  阿泠带着钱米成功打败了山村贞子获得晋级机会。钱米和阿泠来到地牢救人,撞上恶魔修女valak,钱米正面斗不过,最终借用钱通判的僵尸童子尿将valak成功封印。但钱米被valak所伤重伤昏迷…

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