服完兵役的高龄大学生恩植（任昌丁饰）就读于法律系，校园里满是对性充满好奇的年轻男女。可惜外表憨直的他没有什么女人缘，脑筋也是不大好使。一次偶然机会，恩植认识了学校健身俱乐部的头牌队员、校花级美女银孝（河智苑饰），他立马被对方的美貌性感吸引。恩植想尽办法接进银孝，博取好感，却都以失败告终，甚至引发许多误会，比如在公车上，他被银孝当成色狼一脚踢中要害。　　后来，银孝迷住了有钱的花花公子相旭（郑敏饰），甚至怀了孕，但最终被抛弃，伤心绝望。与此同时，恩植和银孝之间产关系有了微妙变化。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　舞台是东京新宿……　　樱花盛开的季节里，转校来到「真神学园」的迷团重重的男子「绯勇龙麻」。　　就像被引导着一样，结识了剑道部的「蓬莱寺京一」，摔跤部的「醍醐雄矢」，射箭部的「樱井小蒔」，以及学生会会长「美里葵」。　　他们受到突然或心活性化的《龙脉》的影响，《拥有的力量的人》觉醒了。　　与此同时，同样受到龙脉影响的被叫做《鬼》的异形也出现了，并且开始了对东京的袭击。　　并且，存在着使用《外法》操纵这些鬼怪的人。　　为了保护东京的龙麻一行，不久又和要逃离自身的《宿星》相遇了……

　　樱子、木村与纪香三人被忍者追杀，木村寡不敌众被杀，樱子幸运遇上仗义的周孝彦成功逃脱，纪香则下落不明。忍者首领仓田至，一定要追杀纪香。小镇势必掀起一场腥风血雨… 孝彦与樱子遇上调皮可爱的四小福引来连环趣事结为好。

　　朝廷寻宝队押元祐党人前往徐州境内寻元祐党宝藏，芒砀山寨主樊瑞探得这一消息，派人去劫寻宝队准备携藏宝图作为见面礼投奔梁山，而公孙胜也奉梁山之命前来解救元祐党义士，当他赶来之时，寻宝队已被樊瑞抢先劫走押回了山寨，樊瑞见是梁山好汉不禁大喜，于是向公孙胜献出截获的藏宝图以表投奔之心，不想公孙胜打开藏宝图一看却发现宝图是假的。梁山众好汉逼樊瑞交出元祐党义士，樊瑞恼羞成怒和梁山打了起来，最后公孙胜设下石头阵将其擒住，公孙胜拷问寻宝队才知这里根本就没有元祐党义士，他们竟是被人雇佣的。　　原来真正的寻宝队早被知府侯占灭口，并已派出手下秘密按藏宝图前去寻宝，元祐党义士也遭囚禁，给芒砀山放出消息的也正是侯占，他精心预谋让樊瑞来当这件事的替罪羊，为挖开藏宝地点的山洞，侯占又故弄玄虚弄走一队囚犯并嫁祸给了樊瑞。　　公孙胜分析整件事情断定这是一个陷阱，樊瑞为了向梁山好汉证明自己的清白，开始调查事情真相。左御使奉命来徐州调查寻宝队失踪之事，却被侯占设计愚弄蒙蔽，认为寻宝队是被芒砀山混世魔王樊瑞所劫。公孙胜决定从左御使这里寻找元祐党义士的线索，他施计接近左御使并取得了他的信任。　　樊瑞根据一系列线索逐渐查出所有事情的幕后指使就是知府侯占，却不小心打草惊蛇，侯占设下圈套在凤仙楼宴请左御使欲引樊瑞现身来将其灭口，樊瑞中计前往，幸得公孙胜的巧妙制止樊瑞得以脱身。公孙胜探到牢房有瘟疫被封锁的消息，他与樊瑞迅速将疑点转向牢房，为了将功补过樊瑞主动请缨要求去牢房一探究竟，两人约定有情况会以信号弹联络。　　原来弄去挖宝的囚犯被落石砸死，侯占意识到藏宝地有机关，只好封闭牢房暗中向藏宝地输送人手挖宝并押元祐党人前去破解机关，混入囚犯队伍的樊瑞正被侯占手下带至宝藏地点，在这里他终于找到了元祐党义士，趁众人不注意他偷偷放出信号弹。樊瑞与侯占手下斗智斗勇，终于救下险境中的元祐党义士，但他们却遭到侯占众手下的围攻，危急时刻，梁山兵马赶到相救。　　与此同时，启程回京准备上奏的左御使被公孙胜施计留住并给以宝藏之暗示，左御使应暗示带兵来到藏宝地点，看到被绑的侯占手下，他  终于明白了整件事情都是侯占在搞鬼，将侯占等人押送京城审问。樊瑞感谢公孙胜留住左御使得以将侯占的罪行公诸于世，就拜公孙胜为师投奔梁山而去。

　　母亲去世之后，阿曼达（莎拉•米歇尔•盖拉 Sarah Michelle Gellar 饰）继承了母亲生前精心经营的餐馆。然而没过多久，阿曼达便发现，从前门庭若市的餐馆，如今生意一天不如一天，甚至濒临了倒闭的边缘。　　一次偶然中，阿曼达邂逅了名为汤姆（肖恩•派特里克•弗兰纳里 Sean Patrick Flanery）的男子。之后，汤姆在机缘巧合之下来到了阿曼达的餐厅吃饭，让阿曼达感到不敢相信的是，汤姆的存在令自己的厨艺大增，餐厅就此度过了这次经营危机。随着时间的推移，阿曼达和汤姆之间的距离越来越近，然而，汤姆对于阿曼达产生的种种误会使得后者感到深深的受伤，两人之间的感情产生了裂痕。

　　ユダヤの伝説「巨人ゴーレム」にヒントを得て製作した大映のSFXスペクタクル時代劇シリーズ第3弾。荒川飛騨守は近隣諸国を侵略しようと、村人たちを捕え武器作りに酷使していた。残された子供たちは、“魔神の山”を越える決死の旅立ちを決意するが…。

　　魔术师社长杜新月一直想要得到业内早已经失传的传奇魔术秘笈《三式详解》，然而拥有该秘籍的童铁却拒绝将它交给心术不正的杜新月。愤怒之中，杜新月买通了童铁的助手，让她在童铁表演逃脱魔术的道具上做了手脚，导致童铁在表演过程中惨死。不仅如此，他们还继续迫害知道秘籍下落的童铁的儿子童行。　　根据父亲留下的项链，童行来到了龙泉寺，在那里的方丈将《三式详解》交给了他，可就在这个节骨眼上，一直尾随童行的方教授现身抢走了秘籍，然而螳螂捕蝉黄雀在后，杜新月紧随其后打倒了方教授，试图抢夺秘籍，最终会鹿死谁手呢？

　　1989年的寂静深夜，南哈特福特三名神职人员遭到屠杀。行凶者名叫玛莉娅·罗西（苏珊·克萝蕾 Suzan Crowley 饰），事后被诊断体内藏有七重人格。在此后的岁月里，她被带往意大利驱魔。时隔20年，玛莉娅的女儿伊莎贝拉·罗西（费尔南达·安德拉德 Fernanda Andrade 饰）决定拍摄一部关于母亲的纪录片，她启程前往罗马，见到了久违的母亲，而玛莉娅所说的话令她颇为震惊。为了探明母亲的病因，她在当地找到了两位瞒着教会偷偷进行驱魔的教士年轻驱魔师（赛门·克特曼 Simon Quarterman 与 伊凡·海慕特 Evan Helmuth 饰）。在他们的努力下，玛莉娅体内的魔鬼们渐渐显现出来……　　本片荣获2012年BMI电影与电视奖最佳电影配乐奖。

　　在不久的将来，Uffizi和卢克旅行到被战火破坏的罗马尼亚偏僻区域去援救伊丽莎白和终结吸血鬼。沿途他们遇到电视新闻记者和反抗小组正在试图对抗困扰他们国家的吸血鬼......

　　19岁的漫雨遥因为预言了附近公寓的女子自杀事件被媒体封为灵异少女，警官莫飞经过调查终于证明所谓预言只是巧合。可一波未平，一波又起，一个叫方泽的画家竟然声称自己在二十年前就预言了雨遥将会是自己的妻子，为了让预言成真，方泽不惜绑架了雨遥，而在和方泽的朝夕相处间，雨遥渐渐被方泽的痴情的感动。莫飞为了探究预言魔咒的真相，来到方泽的家乡调查，并且挖出了一段方泽不为人知的过去……

　　A top secret experiment intended to produce a superhuman has gone terribly wrong. Now the creators, trapped in a remote desert outpost, are being pursued ruthlessly by their creation. With the door sealed from within, there is no way out.