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天龙影院

超级机器人大战OG
日本日语2006
  新世历179年,一艘来历不明的巨大物体冲入地球,坠落在南亚得里亚岛。  人类在被这一从天而降的怪物吓得惊魂未定之时,以比安.佐尔达克博士为首,科学家们对这一天外来客进行了调查。调查结果表明,此战舰是外宇宙文明所开发出来的战舰,而且令科学家们感到惊恐的是,此战舰中的高科技表明外宇宙科技比地球目前的科技要先进许多。这也证实了比安博士之前就提出过的存在准备向地球进攻的外宇宙文明的假想,地球已经危在旦夕了。  在危机一步步逼近的情况下,一部分科学家对于外宇宙的高科技已经恐惧到了极点,许多人提出了逃离地球、移居其它星球的提议,而地球联邦政府的高官们并未意识到此事件的严重性,一方面极力隐瞒巨型战舰坠落的真相,一方面仍然一如继往地过着腐败不堪的生活。  在此危急之时,比安博士提出“人类无处可逃”,主张积极地发展军事与科技,全面准备抵抗异星人的入侵。为此以比安博士为首,科学家们加紧对战舰中的EOT技术进行解析与调查;而联邦军中的积极派也开始行动。  新世历183年1月,比安博士在南亚得里亚岛的EOT研究机构创建DC组织,并进行对异星人用新机体的研制与开发。  新世历185年6月,联邦军极东支部在DC、玛奥军工厂及迪斯拉.雷希研究所的协力下,开始SRX计划。

天龙影院

萨乐美
美国其它1923
  Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

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