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天龙影院

女神捕之杀手无名
大陆国语2007
  故事梗概:  月晦风高夜,国舅府发生命案,周国舅名丧蒙面杀手。国舅爷遇刺,朝廷震怒,后宫总管太监孙值传旨,着左督御史方谨限期破案。方谨把查案的任务交给铁飞花时,委婉转达孙公公对铁飞花与七彩门关系甚密的猜疑。国舅的死,能让孙公公怀疑到铁飞花身上,铁飞花自然不敢怠慢。  铁飞花请得尚方宝剑,带上柳儿直奔杭州大富杨智峰而来。铁飞花记得,不久前处理汪江洋汪公公时,七彩门四当家的双飞燕曾经说过,杭州大富杨智峰有可能就是七彩门门主曾同。铁飞花住进杨府,希望能在杨府守株待兔。入夜,黑衣蒙面人飞镖传帖,明言将在端午节那天取杨智峰性命。同时得到帖子的,还有杨府的后厨花二狗。  花二狗将帖子呈送杨智峰,以此讨好,借机为杨智峰七夫人丽君的婢女采菱赎身。杨智峰顺水推舟,寻常人自然看不出什么破绽,但铁飞花却从中发现端倪。除了花二狗,杨智峰的贴身护卫赵蛟、帐房游先生,都值得怀疑。赵蛟和杨智峰的六夫人两心相许。六夫人一直希望赵蛟能替她血洗杀父之仇;游先生掌管杨智峰的来往帐款,深知杨智峰与杭州知府官盐私办的秘密。  数天的静观其变,铁飞花断定,七彩门门主就在杨府,至于谁是曾同,铁飞花暂时还没有定断。接下来的几天,杨府先后发生几起离奇事件,先是杨智峰因过失伤人被提刑按察使陈清明抓走,然后是杨府发现七彩门的牌符,紧接着是西厂给铁飞花施压,目的是想把铁飞花赶出杨府。林林总总,纠缠缕析,铁飞花从杨智峰的障眼法中清醒地看到,行刺周国舅的幕后主使、七彩门门主就是花二狗、杨智峰、游先生中的一个。  端午节,杨智峰、花二狗、赵蛟、游先生各怀心事。六夫人悬梁自尽,激怒赵蛟,赵蛟持剑直指杨智峰;花二狗为七彩门名册,致杨智峰于死地。铁飞花迟到一步,杨智峰倒毕一旁;花二狗咽气前,手指游先生的方向;赵蛟闻悉六夫人的死,悲愤自杀。一切似乎都已经结束,铁飞花突然想到游先生,中途将其截下,最终拿到七彩门名册。名册上赫然写着:七彩门门主:杨智峰。

天龙影院

巴斯克维尔猎犬
其它其它1937
  A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.  Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.  This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.  One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.  - JohnHowardReid, imdb

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